Saturday, June 1, 2019

Baby Shoes For Sale . . . or How Many Words Makes a Story?


“For sale: baby shoes, never worn.”
Popularly credited to Ernest Hemingway, this six-word story is an extreme example of short fiction. It evokes wonder, presents questions, conjures possibilities . . . and all with a minuscule word count of six total words.
Which brings us to our topic for the day: word counts.
Every story has one.
So how long should your novel be?
50,000 words?
100,000?
150,000?
1,000,000?
Let's start with the standards taken from a quick fondling of Google's naughty search engine:

Micro Fiction: 100 to 500 words
Sudden Fiction: up to 750
Flash Fiction: up to 1,500
Short Story: 1,500 to 7,500
Novelette: 7,500 to 17,500
Novella: 17,500 to 40,000
Novel: 40,000 to 100,000
Tome: 100,000+ words

Sure, these figures provide a general idea of their total word count, but what about by genre?

Commercial and literary novels: 80,000 to 100,000
Middle grade: 20,000 to 55,000
Young adult: 55,000 to 80,000
Western: 45,000 to 75,000
Mystery: 75,000 to 100,000
Memoir: 80,000 to 90,000
Romance: 80,000 to 100,000
Thriller: 90,000 to 100,000
Science Fiction and Fantasy: 100,000 to 115,000+
*and the general fiction sweet spot: 80,000 to 90,000

How about by author?

The First Law series by Joe Abercrombie:
The Blade Itself: 191,000
Before They Are Hanged: 196,000
Last Argument of Kings: 231,000

Lord of the Rings series by J. R. R. Tolkien:
The Hobbit: 95,000
The Fellowship of the Ring: 186,000
The Two Towers: 154,000
The Return of the King: 130,000

A Song of Ice and Fire series by George R. R. Martin:
A Game of Thrones: 298,000
A Clash of Kings: 326,000
A Storm of Swords: 424,000
A Feast for Crows: 300,000
A Dance with Dragons: 422,000

Harry Potter series by J.K. Rowling:
Harry Potter and the Philosopher's Stone (revised title is ...and the Sorcerer's Stone): 78,000
Harry Potter and the Chamber of Secrets: 85,000
Harry Potter and the Prisoner of Azkaban: 107,000
Harry Potter and the Goblet of Fire: 191,000
Harry Potter and the Order of the Phoenix: 257,000
Harry Potter and the Half-Blood Prince: 170,000
Harry Potter and the Deathly Hallows: 198,000

The Dark Tower series by Stephen King:
The Little Sisters of Eluria: 23,000
The Dark Tower: The Gunslinger: 55,000
The Dark Tower 2: The Drawing of the Three: 125,000
The Dark Tower 3: The Waste Lands: 173,000
The Dark Tower 4: Wizard and Glass: 255,000
The Dark Tower 4.5: The Wind Through the Keyhole: 92,000
The Dark Tower 5: Wolves of the Calla: 242,000
The Dark Tower 6: Song of Susannah: 118,000
The Dark Tower 7: The Dark Tower: 272,000

Malazan Book of the Fallen series by Steven Erikson:
Gardens of the Moon: 209,000
Deadhouse Gates: 272,000
Memories of Ice: 358,000
House of Chains: 306,000
Midnight Tides: 270,000
The Bonehunters: 365,000
Reaper’s Gale: 386,000
Toll the Hounds: 392,000
Dust of Dreams: 382,000
The Crippled God: 385,000

The Wheel of Time series by Robert Jordan (finished by Brandon Sanderson):
The Eye of the World: 305,900
The Great Hunt: 267,000
The Dragon Reborn: 250,000
The Shadow Rising: 394,000
The Fires of Heaven: 354,000
The Lord of Chaos: 389,000
A Crown of Swords: 295,000
The Path of Daggers: 226,000
Winter’s Heart: 238,000
Crossroads of Twilight: 271,000
Knife of Dreams: 315,000
The Gathering Storm: 303,000
Towers of Midnight: 325,000

The Sword of Truth series by Terry Goodkind:
The First Confessor: 163,000
Debt of Bones: 28,000
Wizard's First Rule: 296,000
Stone of Tears: 335,000
Blood of the Fold: 194,000
Temple of the Winds: 251,000
Soul of the Fire: 211,000
Faith of the Fallen: 261,000
The Pillars of Creation: 194,000
Naked Empire: 195,000
Chainfire: 198,000
Phantom: 198,000
Confessor: 202,000
The Omen Machine: 130,000
The Third Kingdom: 138,000
Severed Souls: 158,000
Warheart: 137,000

So how does one decide on their precious novel-to-be's total word count? My advice is simple: don't sweat the small stuff. The #1 rule of writing is: write first, edit last. So worry about the word count after you've finished that pesky first draft, however long or short it may turn out. A story should only be as long or short as it needs to be to introduce the main conflict, complicate it through logical though surprising twists, then resolve said conflict in a satisfying conclusion, no more and no less. Forcing extraneous words into your writing in an arrogant attempt at making it longer because you want your readers to strain their aching backs lugging your epic tome around results in unnecessary clutter and filler; ergo, needless words. And the #1 rule of editing is: omit needless words. Did you really need to describe that doorknob only needing turned for three whole pages? Of course not! Write with passion while never forgetting this precious gem of rule that connects the first two: writing is 10% writing and 90% rewriting.
Though there is an exception for Plotters over Pantsers when it comes to word counts. Choosing your desired total word count beforehand then dividing by however many chapters you plan on writing gives you a smaller goal to work toward, and smaller goals achieved each day add up to the larger victory of your finished novel over the long haul of months.
Let's say you want to write an 80,000 word sci-fi with 20 chapters because all of your favorite writers keep their novels in the same range. Great. Here's a cookie. This doesn't mean yours must be an 80,000 word novel to the exact period when you're finished or else worlds will collide and existence will end. But it does give you a smaller goal to work toward while writing each day. An 80,000 total word count divided by 20 chapters is 4,000. That 80,000 total doesn't seem so daunting a task to complete now that you've divided it up into 20 smaller 4,000 word chunks, now does it?
Divide and conquer is my ruling philosophy when tackling any task, so I start my novels by writing in 8 chunks of plot thusly:

ACT 1
1. Old World Stasis
2. New World Flux

ACT 2A
3. Things Come Together
4. False Victory

ACT 2B
5. Things Fall Apart
6. False Defeat

ACT 3
7. False Solution
8. True Resolution

I flesh out my novels-to-be through some plotting, describing each chunk with a few descriptive sentences though leaving plenty of wiggle room so that when I write I have the freedom to add in logical twists and unexpected turns. Remember: the first things that come to your mind while writing may parallel the first things that come to your reader's mind while reading, and that removes all unpredictability from your story. Plotting helps you weed out those predictable scenes beforehand and before you've spent months toiling away at your novel. The great illusion of writing is that a reader spends mere moments reading a scene that in actuality might have taken you days or weeks or even months to craft. My chapters tend to run long, averaging round 10,000 words per, and I break each of the 8 main chunks up into even smaller chunks, exampled thusly from my MASTER PLOT FORMULA:

ACT 1
1. Old World Stasis
2. Inciting Incident
3. New World Flux
4. Physical Crossing

ACT 2A
5. Things Come Together
6. Pinch Point / Betrayal Set-up
7. False Victory
8. Midpoint Twist

ACT 2B
9. Things Fall Apart
10. Punch Point / Betrayal Pay-off
11. False Defeat
12. Spiritual Crossing

ACT 3
13. False Solution
14. Separation
15. True Resolution
16. Aftermath

I then break up these smaller chunks into chapters depending on the story and characters involved . . . though if you'd like to sample those tasty details then I suggest you read my guide on how to write a novel for both Plotters and Pantsers, “Pen the Sword: the universal plot skeleton of every story ever told” for only $4.99 measly buckaroos paperback, or $2.99 digital, and FREE with Kindle Unlimited.
“But I don't know the word counts of my favorite authors' novels!” you cry? “How am I supposed to choose a total word count for my novel-to-be when Google only answers my search requests with link after link to hot beastie porn?”
Easy peasy lemon squeezy.
First, clear your web browser.
Then take your ten favorite novels and flip to their last page. 25,000 words translates into 100 standard novel pages (though, as is often the case with longer fantasy tomes, the publisher saves production money by cramming every word they can per page through smaller font and margins, so take this “formula” with a grain of salt if you're like me and your favorite authors write bricks). Note how long your favorite books are. Is the average 400 pages? That's roughly 100,000 words. 300 pages? That's 75,000 words. Math is simple, huh?
Knowing your novel's desired total word count then dividing it into smaller writing pieces doesn't just help you write but keeps you focused. It's like viewing the finish line from afar in a race, urging you forward, faster, harder, arms and legs in pumping sprint, lungs panting heaves, eyes on the prize. Now imagine I told you to run but with no set destination in mind. How far? How fast?
That's what word counts are for.
Just remember to pay attention to the finish line instead of the other runners speeding past. Comparing yourself and your work (or lack thereof) to other writers is pointless and often leads to depression because you may spend years toiling away on the daily at your ruling passion and are still unpublished while all your writer friends seem to have all the luck and have several novels published.
So what? They aren't you. You are you. Jealousy breeds contempt, and contempt breeds excuses better left by the wayside.
Losers focus on winners, winners focus on winning.
So be a winner by sitting down every day with a smaller word count goal to meet then try your best to achieve it. After a few months pass by you can hug that finished novel in all its completed glory . . . before venturing into the lonely blackhole abyss that is being “on submission.” Could be months before response. Could be years. Ugh! Tom Petty sure wasn't kidding when he said the waiting is the hardest part. I speak from experience; I have a 350,000 word fantasy whopper that's been on submission for 11 months now and counting to one of the “Big 5” publishers who shall remain nameless out of jinxing myself. But I haven't spent that time just sitting here picking my nose and checking my emails every 15 seconds for my golden ticket inside Wonka's chocolate factory. Instead I've finished writing from scratch two more novels (both over 200,000 words) and am 150,000 words deep in another.
Because writers write.
No excuses.
No days off.
Even when we're spiraling, screaming, nerves frazzled, particles torn asunder mid-swallow inside the churning blackhole abyss of being on submission.
But that latter is a topic for another time.
Until then, happy thoughts and happy writing!

The Most Important Plot Point . . . or Why the Key Event is so damn Important! (part four)

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